Viewport width =
August 7, 2006 | by  | in Theatre |
Share on FacebookShare on Google+Pin on PinterestTweet about this on Twitter

U Boat Down Under

Written and directed by Peter Tait Downstage Theatre, 27 July -5 August

U Boat Down Under revisits the story of submarines visiting New Zealand waters in the closing months of the war in 1945. Myths and suspicions abound in the possibilities of such an event, and this play takes a view on what could have happened.

In this account, a U Boat visits the Hawke’s Bay and men venture ashore to capture a sheep and milk a cow after months of deprivation underwater. After hearing rumours of monkey men who live in trees and some such, they bound about for awhile and have a game of football on land. After a searchlight sweeps over them, however, two of the trio rush back to the boat leaving their comrade Kronfeld (Michael Lawrence) ashore. He quite happily settles in to New Zealand life, after meeting the young Mary (Josephine Davison), and refuses to go back to the boat when his fellow Germans come back to rescue him. Dave (Christopher Brougham), Mary’s admirer, spends a good deal of the play chasing “the Hun” and trying to convince everyone that Kronfeld is a German. It is a comical and entertaining story set in a disheartening environment where everyone is wary of one another. The tale is one of belonging and discovery, in a time when society was struggling to come to terms with what is happening in the war.

It was a play of two halves, in more ways than one. The first half of the play started slowly, and it took a while to warm the audience up. It appeared quite fragmented as the action moved between the set of the U Boat and life ashore, and the contrast between the constraints and rigidity of the submarine with freedom on the land. Some of the technical details needed to be tidied up, such as the use of the scaffolding on the set and the lighting (granted it was opening night). After the interval everything seemed tighter: the actors settled into their humorous banter and the story came together. The one liners and casual dialogue between the cast had everyone laughing, as well as the culture shock for a German to settle into life in New Zealand. Terms such as ‘slash’, ‘flutter’, ‘drongos’ and so on were a source of much hilarity and created a good rapport with the audience. Tait has seemed to have realised that a play about history alone could be lacklustre and he skilfully incorporated both clever humour and interesting sub-plots to make it come alive. It was seeing the relationships form between the characters, amid the suspicion towards German people and tension within New Zealand that made the play work.

Share on FacebookShare on Google+Pin on PinterestTweet about this on Twitter

About the Author ()

Comments (1)

Trackback URL / Comments RSS Feed

  1. Peter Tait says:


    I just wanted to thank Emma for in depth review that seemed to get into the spirit of the show.
    Made the trip to Wellington a little more rewarding ….even if not a financial one.
    I’m not sure if it’s the same person but my partner Josie Thomson
    was in the 6th form with someone of that name.


    Peter Tait

Recent posts

  1. Cuttin’ it with with Miss June
  2. SWAT
  3. Ravished by the Living Embodiment of All Our University Woes
  4. New Zealand’s First Rainbow Crossing is Here (and Queer)
  5. Chloe Has a Yarn About Mental Health
  6. “Stick with Vic” Makes “Insulting” and “Upsetting” Comments
  7. Presidential Address
  8. Final Review
  9. Tears Fall, and Sea Levels Rise
  10. It’s Fall in my Heart

Editor's Pick

This Ain’t a Scene it’s a Goddamned Arm Wrestle

: Interior – Industrial Soviet Beerhall – Night It was late November and cold as hell when I stumbled into the Zhiguli Beer Hall. I was in Moscow, about to take the trans-Mongolian rail line to Beijing, and after finding someone in my hostel who could speak English, had decided