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April 10, 2017 | by  | in Editorial |
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Editor’s Letter

Thank you, to the artists and writers whose generous contributions have made this issue possible. Thank you to Laura and Tim. My favourite way to experience art is in print. It allows for easy return.

Images are always loaded. They deserve questioning. So please, look through this issue and give weight to your own readings. A teacher once told me that the worst art is the art which doesn’t make you feel anything. She was wrong, I think. I always find the worst art the art that sets out to meaninglessly provoke. But that’s a harder line to define. What I mean to say is that I hope this issue engages you in conversation, or in argument, which is surely the least art should do.

Go look at art. Or refuse to go look at art. Have strong feelings. Question the structures in which we consume art, the sponsors that make it possible, and the hierarchies that determine who we see and who we don’t. Or, if it’s all too much, just go to the openings. Drink the free wine. If you really hate the work, trip. Spill your drink on the bad art and leave before they issue you an invoice.

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: - SPONSORED - I have always thought that red was a sneaky, manipulative colour for Frank Jackson to choose in his Black and White Mary thought experiment. It is the colour of the most evocative emotions, love and hate, and symbolises some of the most intense human experiences, bi