Dude. I don’t wanna flaunt it or anything but… I lift, man; like twice a day, everyday. Get up, the adrenaline is pumpin’. That protein powder is the bomb. And guess how much milk I drink? Not 5, not 7, not 8 but 9 litres of full-fat milk a week. I’m bulkin’, man.
The dudebro is typically generalised as a homophobic, misogynist male who lifts. It becomes an interesting experience, therefore, to see Don Jon, a film which blatantly stereotypes and objectifies this contestable category of humans in return.
There are two types of Haruki Murakami novels. One is the surreal story in full magical-realist style, narrated by an alienated urban man. The other type is the story of an alienated urban man with some surreal descriptions or anecdotes thrown in. Colourless is of the latter type, but I wish it was the former.
Initially trained in commercial photography, Yvonne Todd deploys the visual language of female representation to disrupt and unsettle. Todd has exhibited internationally and was the recipient of the 2002 Walter’s Prize.
The US is twisted by corporate control, with the best resistance to these abominable, unsympathetic corporate forces lying in the power of consumers to change their consumption habits.
Seymour will be exhibiting at the Peter McLeavey Pop Up later this month, alongside Yvonne Todd, Barbara Kruger and Sherrie Levine. I recently emailed Seymour to discuss her recent work, her relationship with McLeavey, and the role of politics in her work.
waha | mouth is Baker’s third poetry collection. True to its title, it’s full of sounds and spoken words and stories passed from mouth to mouth. Reading these poems on the page is different from listening to them, but one word springs to mind: texture.
Nelson duo Broods are blowing up, but you already know that from the Spotify ads. We talked to Georgia Nott ahead of their debut-album release on 22 August. They are also playing a show at James Cabaret that night; come.
For such a small city, Wellington is full of some wonderfully creative people. This week I interviewed comedian Eamonn Marra, and Hannah Banks and Cassandra Tse, two of Wellington’s best young theatre-makers.