Theatre

September 24, 2012

Without the big names to back it, I wonder if the crowds would still be drawn to this predictable piece of middle-aged, middle-class, mediocre theatre.

September 17, 2012

Clybourne Park is a play of two halves which enacts a game of verbal dodge-ball around the issue of racism in America. Part one takes place in 1959, where the white middle-class sits comfortably in the protective ideology of “separate-but-equal”, and Jim Crow laws provide the basis for self-aggrandising, institutionalised discrimination.

September 10, 2012

Coming to BATS this week is a new work called White Cloud, a fusion of storytelling and live music. It marks a first-time collaboration between two prominent New Zealand artists, Tim Finn and Ken Duncum, both of whom are apparently very excited by their inter-medial experiments. I spoke on the phone to Ken Duncum to find out more about their process.

August 20, 2012

It’s a very pretty story, and makes me want to go read the book. But in adapting his novel for the stage it appears Almond has had some difficulty stepping completely into the shoes of a playwright.

August 13, 2012

I knew nothing of Barbara Tate walking into West End Girls, which may be considered something of a handicap when it comes to casting a critical eye over a theatrical adaptation of her memoirs. My participation as audience member, at least, was not hindered by ignorance.

August 6, 2012

Quiver presents some decent relationship drama, and some very amusing moments, but ultimately it leans too heavily on its least developed features.

July 30, 2012

Set in the late ‘80s on the eve of the Chernobyl disaster, it follows a rich cast of characters of Venezuelan- and Soviet-Jewish heritage all coming to terms with the sacrifices and benefits of moving to New Zealand.

July 25, 2012

Roger Walter’s Everything is Going to be Just Fine by page and poster sounds, for lack of a better word, awful.

July 23, 2012

Having spent the last seven years as an improvisor with the Court Jesters in Christchurch, Dan Pengelly moved to Wellington this year to begin his Masters degree in Theatre Arts (Directing) at Toi Whakaari and Victoria. Recently returned, fatigued, from an international workshop in Canberra, Dan was obliging enough to let me pick his brains [...]