Artist Profile: @rosehutattoo
Words by Phoebe Robertson (she/her)
Rose Hu’s journey as an artist began in the most unlikely of places: an office job she loathed. 'I was working an office job for the government, and it made me want to die,' Rose shared candidly in an interview. 'I had always been creative, but I followed a more traditional career path because I was taught that "art" wasn’t a viable career. I never found it fulfilling, and I reached a point where I realised I needed to fully commit to giving a creative career a go.'
Five years into tattooing, Rose has no regrets. Her distinctive style—a blend of abstract, form-flowing designs, and what she affectionately calls 'that sweet gay shit'—has set her apart from other Wellington tattoo artists. 'Cute, colourful, and queer' is how she describes her work.
Her studio, ButterCat Tattoo Studio, has become a hub for like-minded individuals seeking both artistry and community. One of her favourite tattoos is a large, red, smoke-inspired design over the shoulder. 'Partly because the concept is something I enjoy tattooing, partly because I’m really pleased with the technical execution, and partly because the client was cool, and we tattooed for so long we became friends,' she explains.
When asked for advice for prospective tattoo clients, Rose is clear and direct. 'CHECK IF THEIR BIO SAYS NO DMS. Jk, my real advice is not to let a tattoo artist talk you into a design you’re not fully happy with,' she emphasises. 'If an artist says your tattoo can’t be done the way you’re imagining, it’s okay to ask why, and it’s okay to get a second opinion—at the end of the day, the tattoo is for you, and it’s on your body forever.'
If you’d like to get a tattoo by Rose, you can head to her studio at Shop 304 Left Bank Lane, 116 Cuba Street, Te Aro, Wellington 6011, or just pop in to check out some of that 'sweet gay' flash (you can find Tim there, too).
Artist Profile: @smushedavocado
Words by Phoebe Robertson (she/her)
In the heart of Wellington's tattoo scene, Tim, known to his social media followers as @smushedavocado, has carved out a niche with his unique portfolio of blackwork tattoos. With a background in art and illustration, Tim's a tattoo artist to watch (and book in with).
The Journey to Tattooing
Tim's love affair with art began early. 'I've always been into art and drawing,' he shares. 'It's been so embedded in my life that I really wanted to turn it into a career.' Armed with a degree in illustration, Tim faced the uncertainty of joblessness after being let go from his previous job. 'For the first time in my life, I was properly between jobs with nothing lined up,' he recalls. It was during this period of transition that he found solace in getting a series of tattoos, which inadvertently led him to build connections within the tattooing community.
'Around the same time, I met my partner, who is close friends with some tattooers,' Tim explains. This connection opened the door to his first apprenticeship, thanks to the guidance of mentors like Tash and Maria.
Artistic Style and Inspirations
When asked to describe his tattoo style, Tim characterizes it as 'nerdy, dark, and illustrative blackwork tattooing.' His work often features elements from beloved fandoms and pop culture, with a particular fondness for Sanrio characters. 'I love me a Sanrio tattoo!' he exclaims. This eclectic mix of dark and cute elements has garnered him a dedicated following.
One of his favourite projects to date is a collection of Baldur's Gate 3 tattoos. 'This year I've been more focused on portrait work, and I've been doing a handful of Baldur's Gate 3 tattoos—the game where everyone is hot,' he says, with a grin.
Challenges and Advice
Like any artist, Tim faces his share of challenges. One of his biggest pet peeves is clients who come in without any clear ideas. 'That shit is so stressful!' he admits. 'Unless I’ve built a long-running relationship with you as a client, I don’t know what kind of things you like. So a little bit more of a direction and a clear idea is super appreciated.'
For university students contemplating their first tattoo, Tim advises thorough research. 'Check out an artist’s body of work and see if it aligns with your vision,' he suggests. He emphasizes the importance of visiting studios in person to get a sense of the environment, and the artist's style.